First edition Goya etching found in kitchen Friday, Nov 28 2008 

An early impression of the aquatinta etching “Muchachos al avío” (“Lads making ready”) by Francisco de Goya was found in the kitchen of the former residence of Slobodan Milosevic in Beograd. The plate 11 of the series “Los Caprichos” has been confirmed to be a first impression, published in 1799.

The plate had been part of the collection of former President Josip Broz Tito, for whom the residence originally was built. At the moment it is both unclear how it got there and what the wherebouts of other “disappared” items from the mentioned collection are.

A controversial engraving as an early version of a picture story Friday, Nov 28 2008 

A detail from a 17th century engraving shows English businessmen John Guy meeting Beothuk in Trinity Bay

A detail from a 17th century engraving shows English businessmen John Guy meeting Beothuk in Trinity Bay

An interesting dispute about a copperplate engraving published in 1628 depicting merchants from the Old World trading with Native Americans seems to be settled for now. Canadian archaeologist William Gilbert challenges the traditional interpretation of the scene taking place in New England, but rather interprets it as an early encounter of the English merchant John Guy with Beothuk Indians in Newfoundland, thus making it a part of early Canadian history.

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“Investing in Old Masters in Economic Hard Times” vs. “Why Old Masters Might Not be a Good Investment” Friday, Nov 14 2008 

In the context of this blog, we generously regard Old Master prints as a subset of the so called Old Masters, which at the same time can stand for Old Master Paintings/Drawings/Etchings/Engravings or for the actual creators of these. Whic is actually a strange case of pars pro toto: you would never use “shoe” synonymously with “shoemaker”.

It is often an amusing pastime to read comments about the current and future state of the Art market regarding Old Masters. Let us first have a look at an article by Felix Salmon, a finance blogger and Editorial contributor to Portfolio.com. (more…)

Set of Albrecht Dürer’s “Apocalypse” woodcuts sold for $1.4 million Thursday, Nov 13 2008 

from Albect Dürer's "Apocalypse"

The National Gallery of Art has recently acquired a complete set of Albrecht Dürer’s 16 woodcuts illustrating the Apocalypse for $1.4 million. It is one of only a few surviving specimens of the 1498 edition. The New York Times article states the Swiss dealer August Laube as the seller.

The most famous woodcut of the Apocalipsis cum figuris (“Apocalypse with pictures”,”Die Heimliche Offenbarung Johannes”), which was published at the same time in Latin and in German, are the Four Horsemen, depicted here. For the first time, each of the woodcuts bears the famous AD monogram. Thirteen years later, Dürer produced a second edition, but it is apparently the first edition which causes Museum and Art Gallery directors to invest large sums of their budgets.

This website (in German) gives a fine overview of all 16 woodcuts along with some short commentaries.

Old master prints auction at Christie’s Monday, Nov 10 2008 

Artdaily points out to an auction of 61 important old master prints over at Christie’s, featuring works on paper by Rembrandt, Goya, Mantegna, Dürer and other Old masters. Estimated prices range from £1,500 for Daniel Hopfer’s Three German Soldiers with Halberds and a Dog to a staggering £450,000 for Rembrandt’s Christ crucified between the two Thieves: ‘The Three Crosses’ .