Rembrandt etching (and an elephant) stolen in Chicago Thursday, May 24 2007 

Adam and Eve (Museum het Rembrandthuis)An etching by Rembrandt van Rijn, “Adam and Eve” (click on the left picture to see an enlarged version), has been stolen from an art gallery in Chicago. The suspected thieves are a couple who had briefly entered the gallery and left it, taken the etching with them. The etching dates from 1638 and is worth around 60’000 US$.

In some news articles the stolen print is labeled as “an engraving”, which is not correct. It is an etching. When you have a closer look at the full size version (click on the small picture above), you will discover a nice detail in the background: a small elephant. It is Hansken (1630-1655), an elephant which was shown across Europe in the 17th century.

Hansken (Source: Wikipedia)

Rembrandt van Rijn: Hansken (drawing, 1637)

An anonymous copper engraving from the 17th century shows Hansken’s manifold skills, which may also have impressed Rembrandt to include her (Hansken was a lady elephant) in a scene from the Bible.

Links:

Hilligoss Galleries in Chicago including a picture of the stolen item

Rembrandt stolen from Mag Mile gallery (Chicago Tribune) and followup.

17th Century Rembrandt Etching Stolen From Chicago Gallery (FoxNews)

The Fine Arts Museums of San Francisco ImageBase Thursday, Oct 5 2006 

Johan George Wille - L’observateur distraitOnce in a while, we would like to point to some outstanding examples of online galleries, which consist of more than just some selected reproductions of famous prints, but which offer some added value

This time, it is the ImageBase of the Fine Arts Museums of San Francisco. Not only does it contain engravings and etchings of almost all the old masters, it also allows to browse through the extensive collection of 85’000 images (not only prints, to be honest). It is an example of a well considered and simple, but neatly designed presentation of the images.

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Mathieu or Maurice Blot? Wednesday, Sep 20 2006 

A short postscriptum to our last post: we referred to the French engraver of the print after van Mieris as “Mathieu Blot“, as the inscription in the lower right corner of the engraving suggests:

Mathieu Blot

Now, in the literature we can’t find an engraver named Mathieu Blot, he is always referred to as Maurice Blot.

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As time goes by Monday, Sep 18 2006 

A boy blowing bubbles - Mathieu Blot after Frans van MierisAt first sight, this lovely, rather small (18 x 23.5 cm) engraving just depicts a Genre scene of a boy blowing soap bubbles, with his mother standing smiling behind him. Let us explore why there may be something else luring behind than just a scene from an untroubled childhood.

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